Drawing on and engaging with a wide range of political and philosophical theory, as well as a numerous films from established classics like the Deer Hunter and the Fog of War, Michael J. Shapiro analyzes those aspects of the "geopolitical aesthetic" that must be addressed in light of both the post cold war and post 9/11 world and contemporary film theory and philosophy.
'Cinematic Geopolitics offers an engaging theoretical, political and historical discussion of how film is enabling a "re-mapping of the world" through the body and technology.' - Brian Faucette, Scope: An Online Journal of Film and Television Studies, October 2011