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Jaimie Baron is an associate professor of film studies at the University of Alberta. She is the author of two books, The Archive Effect: Found Footage and the Audiovisual Experience of History (2014) and Reuse, Misuse, Abuse: The Ethics of Audiovisual Appropriation in the Digital Era (2020), and numerous journal articles and book chapters. She is the director of the Festival of (In)appropriation, a festival of short experimental found footage films and videos, and co-editor of the Docalogue website and book series.
Jennifer Fleeger is an associate professor in the Department of Media and Communication Studies at Ursinus College where she coordinates the program in Film Studies. She has written about the voice in two books for Oxford University Press, Sounding American: Hollywood, Opera, and Jazz and Mismatched Women: The Siren's Song through the Machine.
Shannon Wong Lerner is an affiliate at HATCH: the Mellon-funded Feminist Arts & Science Shop at UC Davis. She has written about breath, gender/sexuation, queerness, and voice in the chapter, "All of My Work is Performance: Irigarayan Methods of Breath for Dance and Voice" in Breathing with Luce Irigaray (2013). She has written and debuted a queer Asian Pacific Islander I play I Feel Bad That You Felt Bad/You Felt Bad That I Feel Bad, and an intersectional feminist operetta, No One Hurts You More Than S/Mother. She is the creator of Queer Home Meditation, an online community of LGBTQIA+ practitioners, host of the podcast The Intersection: Diverse Folx Converse, and co-hosts eFEMeral: Voice Matters. She regularly contributes her writing to open-source platforms such as Medium. |
