“Sometimes at night I can feel them, the pictures, like ants, crawling on my skin. Then I know they’re doing what they have to do . . . ” Fantasy master Ray Bradbury weaves a narrative spanning fromthe depths of humankind’s fears to the summit of their achievements in eighteeninterconnected stories—visions of the future tattooed onto the body of anenigmatic traveler—in
The Illustrated Man, one of the essential classicsof speculative fiction from the author of
The Martian Chronicles,
DandelionWine, and
The October Country.
Ray Bradbury brings wonders alive. A peerless American storyteller, his oeuvre has been celebrated for decades—from The Martian Chronicles and Fahrenheit 451 to Dandelion Wine and Something Wicked This Way Comes.
The Illustrated Man is classic Bradbury—a collection of tales that breathe and move, animated by sharp, intaken breath and flexing muscle. Here are eighteen startling visions of humankind’s destiny, unfolding across a canvas of decorated skin—visions as keen as the tattooist’s needle and as colorful as the inks that indelibly stain the body.
The images, ideas, sounds, and scents that abound in this phantasmagoric sideshow are provocative and powerful: the mournful cries of celestial travelers cast out cruelly into a vast, empty space of stars and blackness . . . the sight of grey dust settling over a forgotten outpost on a road that leads nowhere . . . the pungent odor of Jupiter on a returning father’s clothing. Here living cities take their vengeance, technology awakens the most primal natural instincts, Martian invasions are foiled by the good life and the glad hand, and dreams are carried aloft in junkyard rockets.
Ray Bradbury’s The Illustrated Man is a kaleidoscopic blending of magic, imagination, and truth, widely believed to be one of the grandmaster’s premier accomplishments: as exhilarating as interplanetary travel, as maddening as a walk in a million-year rain, and as comforting as simple, familiar rituals on the last night of the world.
